Three Myths Why Some Businesses Are Not Using Pinterest | Mauco ...

The majority of Pinterest users today are using this new pin-board style social platform for topics such as fashion, furniture, food and travel. Even if your business does not fall into any of these categories do not be quick to write off Pinterest as a social platform worth exploring to grow your business online.

Here are three popular myths on why some businesses are not using Pinterest ? and why they they?re wrong.

Myth 1: Pinterest is only for fashion, furniture, food etc.

Since the majority of Pinterest users are using it for fashion, furniture and food related topics, many brands have held on to the myth that Pinterest is not for their audience. This myth is rapidly being broken by forward thinking brands from different industries that have found a unique way to take advantage of Pinterest. Check out my Mauco Enterprises or my personal account to see how am taking advantage of this fast growing social platform to promote my business online.

Myth 2: Pinterest is only visual

Whilst it is true that Pinterest relies only on visual content, that does not mean that businesses that produce more of non-visual content still cannot use Pinterest. Where possible, you can consider converting your existing text related content to infographics which you can pin to your pin boards.

Myth 3: Pinterest does not have business pages

For now, Pinterest does not have business pages. But that does not rule out the possibility of same in the near future. Facebook, LinkedIn, Google+? etc all started with individual accounts only to follow it later with brand pages. So it?s a good idea to get your brand on Pinterest now, pending the time they roll out brand pages etc.

To Pin or Not To Pin

As to whether or not Pinterest is right for your brand or not, only you can decide that. Nevertheless it is worth mentioning that according to a recent study, Pinterest is driving more traffic to websites than Google+, YouTube and LinkedIn combined. Pinterest is also attracting a very engaged user base with users increasingly spending more and more time on the social platform. Backlinks from your pins can also help to boost your SEO efforts. Having a Pinterest account will also help to provide persons discovering your brand from that social platform a new and fresh perspective on your brand.

Conclusion

If you don?t have a Pinterest account, I?ll encourage you to consider signing up. Do you have a Pinterest account? Follow Mauco Enterprises or Ademola Abimbola and I?ll follow you back!

Did you find this post useful? Please consider subscribing to our RSS feed or subscribe to our newsletter to keep abreast of new posts as they published. You can also use any of the buttons below to share this post with your friends and colleagues. I?ll really appreciate it. See you next time!

photo credit: kentbrew via photopin cc

Source: http://mauconline.net/2012/10/31/three-myths-why-some-businesses-are-not-using-pinterest/

michigan state city creek center andrew luck pro day josh johnson kim kardashian flour matt forte jeremy shockey

Procter & Gamble fiscal 1Q earnings dips

CINCINNATI (AP) ? Procter & Gamble said Thursday that its fiscal first quarter net income fell 7 percent, as costs related to restructuring and the stronger dollar weighed on results.

But the world's largest consumer products maker's adjusted results beat expectations on Wall Street, as it cut costs, made market share gains and commodity costs eased. The results were a much needed positive for CEO Bob McDonald, who some have criticized for not doing enough to turn around results. Shares rose 2 percent in premarket trading.

Procter & Gamble, which makes well known consumer goods including Tide detergent and Pampers diapers, said it held or grew market share in businesses representing over 45 percent of its sales during the quarter, up from 30 percent in the fourth quarter. That jumped to nearly 60 percent in the U.S., up from 15 percent in the fourth quarter. Its market share is still slightly down globally, but the Cincinnati company expects global market share gains by the second half of the year.

P&G admitted to missteps in pricing and in balancing growth in emerging markets, which account for about 30 percent of its sales, amid an uncertain global economy and lackluster market share growth overall. As growth in developed markets slowed, consumer product makers have looked abroad for new customers.

It is a tricky balancing act for all consumer product makers, particularly as the European economy remains under pressure and growth slows in China. On Wednesday Kimberly Clark said it will exit its European diaper business. And on Thursday Colgate said it will cut 6 percent of its workforce by the end of 2016.

In May P&G announced a plan to focus on its 40 top businesses, 20 biggest new products and 10 most profitable emerging markets, as it is undergoes a cost-cutting plan aimed at saving $10 billion by fiscal 2016.

"We're confident that this strategy will enable P&G to generate superior levels of shareholder return in both the short and long term," CEO McDonald said.

The pressure is on since activist investor William Ackman, known for agitating for change in companies he has a stake in, has disclosed that he has a 1 percent stake in the Procter & Gamble.

In the June-to-September quarter, Procter & Gamble's net income fell to $2.81 billion, or 96 cents per share. That's down from $3.02 billion, or $1.03 per share, last year.

Excluding restructuring and European legal charges, its so-called core earnings were $1.06 per share. Analysts expected 96 cents per share.

Revenue fell 4 percent to $20.74 billion. Analysts expected $20.79 billion. The stronger dollar, which cuts into the value of overseas sales, hurt revenue by six percentage points, the company said.

For the current quarter, Procter & Gamble predicts adjusted core earnings of $1.07 to $1.13 per share with revenue ranging from down 1 percent to up 1 percent, implying revenue $21.88 billion to $22.32 billion. Analysts expect net income of $1.09 on revenue of $21.76 billion.

For the full year P&G kept its guidance for adjusted core earnings of $3.80 to $4 on flat revenue growth to up 1 percent. That implies $83.68 billion to $84.52 billion. Analysts expect net income of $3.90 per share on revenue of $84.38 billion.

Procter & Gamble shares rose $1.52, or 2.2 percent, to $69.60 in premarket trading.

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/f70471f764144b2fab526d39972d37b3/Article_2012-10-25-US-Earns-Procter-and-Gamble/id-0ce602e0ae8041d6b34036cc0366a0ce

jaleel white levi johnston 2013 srt viper scott walker recall fisker atlantic social darwinism jamie lynn spears

American Horror Story, Season 2

James Cromwell as Dr. Arden in this week's episode of 'American Horror Story: Asylum.'

Photo by Michael Becker/FX.

Every week in?Slate?s?American Horror Story TV club, J. Bryan Lowder will have an IM conversation with a different?AHS fan. This week, he rehashes episode 2.2 with Abby Ohlheiser, a Slate contributor.

J. Bryan Lowder: Good evening, Abby! The final thwack of Sister Jude's cane on Kit Walker?s bare bottom is still resonating in my ears. How are you feeling after that failed escape attempt?

Abby Ohlheiser: It seems like this season is carrying over the kinky spirit of the latex suit from the ?Murder House? story line, at least.

Lowder: Someone on the production team clearly has an interest in S&M. I thought this episode's demonic possession subplot was a pretty compelling take on the old Exorcist trope. What say you?

Ohlheiser: Definitely, especially considering the way in which the possession scene threw a spotlight on the science/religion duality that I'm sure we're going to see a lot more of as this season continues. This episode had me at the MAN OF SCIENCE forcing a nun to eat the candy apple (of knowledge of good and evil).

Lowder: I know, right? That candy apple was really tweaking me out, and lo and behold if Sister Mary didn't "fall" (possessed herself, I believe) by the end of the episode.

Ohlheiser: The good doctor likes to wield his symbols with a pretty heavy hand?I also chuckled at the giant knife in the dinner scene later on. It's delightful.

Lowder: I like the science/religion conflict too, especially now that we have Zachary Quinto as the good doctor Thredson to complicate ?reason? a little more beyond the mad-scientist cliche of Dr. Arden. I was really taken with the arbitrariness of his diagnosis of Kit; it seemed just as groundless as the religious dogma he's so critical of.?"Acute clinical insanity?: What does that even mean?

Ohlheiser: I wrote down that exact question! It sounds like a whole lot of "I don't know." I also thought it was great in this episode how they brought out some of the internal tension in Jude's character: She started to get a bit Walter White-esque in the electroshock therapy scene. And Holy Moly on her back story as a lush lounge singer!

Lowder: Commenters weren't convinced last week that Jude is morally complicated, but I think this episode clearly shows that to be the case. She exhibits such a riveting mix of sadism and mercy?or at least sympathy. The electroshock scene you mention was key for that, but it was evinced elsewhere as well. She's always overstepping moral boundaries and regretting it and trying to atone. It's all very Catholic, which I guess makes sense.

Ohlheiser: I buy that Jude is a true believer, or at least really good at repenting.

Lowder: Speaking of Catholicism, I wanted to note that the demonic possession is the first truly supernatural event we've seen this season (I'm counting aliens as natural). Ryan Murphy has stated that the horror this season comes more from real-life situations (forced incarceration, medical malpractice, etc.) than from ghosts and goblins. What do you think about that choice? I'm kind of into the balance so far?I hope Sister Mary's apparent possession doesn't become too much of a driving force going forward.

Ohlheiser: I was disappointed to see the exorcist fly across the room, actually, for that exact reason. While clearly possessed teenagers are great ways for writers to get some expository information out on the main characters (like that "I'm glad I gave you up" comment he made to Threadson), I was kind of hoping someone would at least mention schizophrenia or some other explanation for the boy's behavior before we went right into the supernatural. But maybe that's the X-files fan in me getting ahead of myself on this one.

Lowder: I have to admit that I love that demon-knowing-your-dark-secrets-trope. It reminded me of Stephen King's Storm of the Century. There's something far more violent and creepy about that kind of violation than physical harm, at least to my mind. One last theme I'd like to pull out?one I mentioned last time?is this show?s very unique feminist streak. I think we saw that again tonight in both Shelley?s little back-story about just loving sex and being the victim of misogyny, as well as in Sister Jude's being excused from the room during the exorcism for not being "strong enough." Do you find this theme compelling at all, or out of place? Female desires of all kinds are clearly marked as frightening to those around them in this show's universe.

Ohlheiser: I find it extremely compelling, because it connects nicely into the knowledge and power undertones of the show. It was really interesting to me, for example, that the demon in the possession scene tells Jude "It drives you crazy, doesn't it? To be the smartest person in the room...but with no real power." Of course, when she's found in the room with the boy after being told not to go in there, her excuse is "I was weak."

Lowder: I'm wondering if Jude's last admission of frailty is going to get her in trouble with her beloved (be-lusted?) Monsignor on the next episode.

Ohlheiser: Speaking of which, I'm also wondering if in Sister Jude?s red negligee, the writers are playing with the plot of Bette Davis's Jezebel?the film where a red dress leads to the complete destruction of the protagonist's life, and then her repentance.

Lowder: Ooh! Given Murphy's camp credentials, I'd bet a night in Briarcliff that he's seen every Bette Davis movie. Maybe our commenters can scour it for more clues. But before we go, I have to ask it: Is Dr. Arden our friend Bloody Face? The show is certainly pushing us that way, which makes me inclined to doubt it?

Ohlheiser: I'm also thinking it's a fake-out. Bloody Face reminds me, I'd completely forgotten about Wendy. I wonder when we'll find out what happened to her.

Lowder: Good question. I fear she may gone the way of Adam Levine, which is to say?probably?dead. But you never can tell on this show.

Ohlheiser: Yeah, I'd hate to lose Clea DuVall so early on in the series, so I'm hoping against my better instinct that there's a reason the writers have left her fate ambiguous. Or maybe it's just their sadistic side coming out once again.

Lowder: I fear the latter?there?s enough sadism in this show to make the Marquis de Sade wince.?

Thursday: What other writers and Slate commenters thought about Episode 2.

Source: http://feeds.slate.com/click.phdo?i=61ef07240f7dfd19faa9d84d132352e6

mark davis marine urination video hostess cadillac ats bain capital marines urinating haley barbour

Auto-tune this! Research team restores 134 year-old audio recording (update: audio links)

A Berkeley Lab research team in California has successfully restored a 134 year-old audio recording. The historic audio was originally captured in 1878 by a phonograph designed by Thomas Edison, which consisted of a cylinder wrapped in tinfoil that used a stylus to record sound on the surface of the material. Due to the foil's frailty, recordings were only good for a few playbacks on Edison's phonograph. To restore this century-old mixtape, the research team created a 3D model of the grooves in the foil and ran it through a software that recreated the original audio track. As for the great mystery of the recording's contents, it's a 23-second horn instrumental followed by what is believed to be political writer Thomas Mason reciting Mary Had a Little Lamb and Old Mother Hubbard. Using modern technology for playback, the restored recording is set to have a listening party this week at the Museum of Innovation and Science in New York.

Update: For audio samples from the project, hit the coverage link below.

[Image courtesy of the Library of Congress, Brady-Handy Photograph Collection]

Filed under: Misc, Science, Alt

Auto-tune this! Research team restores 134 year-old audio recording (update: audio links) originally appeared on Engadget on Thu, 25 Oct 2012 18:14:00 EDT. Please see our terms for use of feeds.

Permalink The Verge  |  ABC News  | Email this | Comments

Source: http://feeds.engadget.com/~r/weblogsinc/engadget/~3/coWD7bnpO6Q/

seattle seahawks ryan tannehill cispa baltimore ravens atlanta falcons space shuttle new york courtney upshaw

School bus, truck crash in Pa. _ without drivers

BEAVER FALLS, Pa. (AP) ? Police don't plan to cite the drivers of a truck and school bus which crashed in western Pennsylvania.

But only because neither vehicle had a driver when they wrecked.

Police in Patterson Township tell the Beaver County Times (http://bit.ly/UBPOwQ ) the incident happened just before 10 a.m. Tuesday when the parked bus began to roll down a hill. Police aren't sure why that happened, because the driver had engaged the parking brake.

The bus rear-ended a parked truck, which also began rolling down the hill alongside the bus, until the truck flipped onto its side. The bus continued on, shearing off one utility pole and hitting another before rolling to a stop a few feet from the porch of a home.

Nobody was hurt.

Patterson Township is about 30 miles northwest of Pittsburgh.

___

Information from: Beaver County Times, http://www.timesonline.com/

Source: http://hosted2.ap.org/APDEFAULT/aa9398e6757a46fa93ed5dea7bd3729e/Article_2012-10-24-Driverless%20Crash/id-5cbfc83d098d4981809db29e51a51250

gallagher madmen james cameron liam hemsworth miss canada justin bieber boyfriend marianas trench

WATCH: Did Tagg Romney apologize to President Obama?

Monday, October 22, 2012

WATCH: Did Tagg Romney apologize to President Obama?

Mitt's son may or may not have said sorry to Obama for saying he wanted to punch him.

NowThis News, BuzzFeed

?

Source: http://www.whas.com/cc-common/news/sections/newsarticle.html?feed=104707&article=10515107

dallas clark litter marinol flight attendant pau gasol trade michael madsen spring forward

Short Interval Training Burns Big Calories

Active young men burned 200 more calories on days when they did five 30-second sprints on an exercise bike. Christopher Intagliata reports

More 60-Second Science

Subscribe via iTunes

Want to exercise, but don't have enough time? Forget slogging half an hour on the treadmill. You can burn the same number of calories with a few quick sprints on an exercise bike. So says a study presented at a meeting of the American Physiological Society. [Kyle Sevits et al., A Single Session of Sprint Interval Training Increases Total Daily Energy Expenditure]

Researchers studied 10 active young men. For three days, the men ate an energy-balanced diet--meaning calories in matched calories out. Then, still on the diet, each guy spent two days living in a sealed chamber, so researchers could monitor oxygen and CO2 levels?a way of exactly calculating calories burned.

Just hanging out watching TV, the guys burned 2,200 calories a day. But they burned 200 more on days when they did five 30-second sprints on an exercise bike. Now, these were not laid-back efforts. The guys pedaled as hard as they could, and had to take four-minute rest breaks in between.

Previous studies show that sprint training like this improves the body's response to blood sugar, possibly helping to stave off diabetes. And the researchers say it may be an alternative to endurance exercise for burning calories. That is, if you don't mind really feeling the burn.

?Christopher Intagliata

[The above text is a transcript of this podcast.]

Source: http://rss.sciam.com/click.phdo?i=b342eeb0a5e0a93f8d02d8012af648d8

Alex Karras BCS Rankings 2012 the walking dead the walking dead Walking Dead Season 3 aaron rodgers vampire diaries

Video: Final showdown: one last debate

Giants cap 'unbelievable' NLCS with Game 7 rout

Hunter Pence doubled home two runs with a slicing, broken-bat hit during a five-run third inning, and the San Francisco Giants disposed of the St. Louis Cardinals 9-0 in Game 7 of the NLCS to advance to the World Series against the Detroit Tigers.

Source: http://www.msnbc.msn.com/id/3036697/vp/49510796#49510796

matthew broderick tax refund calculator huntington disease west memphis three taxes game of thrones season 2 trailer sag award winners

New analysis provides fuller picture of human expansion from Africa

Tuesday, October 23, 2012

A new, comprehensive review of humans' anthropological and genetic records gives the most up-to-date story of the "Out of Africa" expansion that occurred about 45,000 to 60,000 years ago.

This expansion, detailed by three Stanford geneticists, had a dramatic effect on human genetic diversity, which persists in present-day populations. As a small group of modern humans migrated out of Africa into Eurasia and the Americas, their genetic diversity was substantially reduced.

In studying these migrations, genomic projects haven't fully taken into account the rich archaeological and anthropological data available, and vice versa. This review integrates both sides of the story and provides a foundation that could lead to better understanding of ancient humans and, possibly, genomic and medical advances.

"People are doing amazing genome sequencing, but they don't always understand human demographic history" that can help inform an investigation, said review co-author Brenna Henn, a postdoctoral fellow in genetics at the Stanford School of Medicine who has a PhD in anthropology from Stanford. "We wanted to write this as a primer on pre-human history for people who are not anthropologists."

This model of the Out of Africa expansion provides the framework for testing other anthropological and genetic models, Henn said, and will allow researchers to constrain various parameters on computer simulations, which will ultimately improve their accuracy.

"The basic notion is that all of these disciplines have to be considered simultaneously when thinking about movements of ancient populations," said Marcus Feldman, a professor of biology at Stanford and the senior author of the paper. "What we're proposing is a story that has potential to explain any of the fossil record that subsequently becomes available, and to be able to tell what was the size of the population in that place at that time."

The anthropological information can inform geneticists when they investigate certain genetic changes that emerge over time. For example, geneticists have found that genes for lactose intolerance and gluten sensitivity began to emerge in populations expanding into Europe around 10,000 years ago.

The anthropological record helps explain this: It was around this time that humans embraced agriculture, including milk and wheat production. The populations that prospered ? and thus those who survived to pass on these mutations ? were those who embraced these unnatural food sources. This, said Feldman, is an example of how human movements drove a new form of natural selection.

Populations that expand from a small founding group can also exhibit reduced genetic diversity ? known as a "bottleneck" ? a classic example being the Ashkenazi Jewish population, which has a fairly large number of genetic diseases that can be attributed to its small number of founders. When this small group moved from the Rhineland to Eastern Europe, reproduction occurred mainly within the group, eventually leading to situations in which mothers and fathers were related. This meant that offspring often received the same deleterious gene from each parent and, as this process continued, ultimately resulted in a population in which certain diseases and cancers are more prevalent.

"If you know something about the demographic history of populations, you may be able to learn something about the reasons why a group today has a certain genetic abnormality ? either good or bad," Feldman said. "That's one of the reasons why in our work we focus on the importance of migration and history of mixing in human populations. It helps you assess the kinds of things you might be looking for in a first clinical assessment. It doesn't have the immediacy of prescribing chemotherapy ? it's a more general look at what's the status of human variability in DNA, and how might that inform a clinician."

###

The study is published in the current edition of the Proceedings of the National Academy of Sciences and was co-authored by Feldman's longtime collaborator, population geneticist Luigi Luca Cavalli-Sforza of Stanford and the Universit Vita-Salute San Raffaele in Italy.

http://intl.pnas.org/content/early/2012/10/17/1212380109.abstract

Stanford University: http://news.stanford.edu

Thanks to Stanford University for this article.

This press release was posted to serve as a topic for discussion. Please comment below. We try our best to only post press releases that are associated with peer reviewed scientific literature. Critical discussions of the research are appreciated. If you need help finding a link to the original article, please contact us on twitter or via e-mail.

This press release has been viewed 22 time(s).

Source: http://www.labspaces.net/124708/New_analysis_provides_fuller_picture_of_human_expansion_from_Africa

revenge once upon a time once upon a time adam shulman adam shulman dexter dexter

Troy Figure Skater Qualifies for Sectional Championships - Troy, MI ...

Two figure skaters from the Onyx-Suburban Skating Academy in Rochester Hills qualified for the Midwestern Sectional Championships. ?They will take place in Nov. 9-13 in Strongsville, OH.?Sectionals are the qualifier for the U.S. National Championships.?

Jessica Pierce, age 13 and a student at Shelby Jr. High, won the Regional competition in the Juvenile level.

Michelle Chen, also 13, won the bronze medal in the Novice level. She attends Larson Middle School.

Both Pierce and Chen have been skating since age six.?

"This is a huge accomplishment for the Rochester club, which sent the largest number of skaters to the regional championship in the country," coach Lindsey Weber said.

Source: http://troy.patch.com/articles/troy-figure-skater-qualifies-for-sectional-championships

kate gosselin helicopter crash matt jones whitney houston in casket photo resolute national enquirer whitney houston casket photo jk rowling

Do you agree with President Obama's views on the Israel/Iran conflict as he expr...

Sorry, Readability was unable to parse this page for content.

Source: http://www.facebook.com/photo.php?fbid=10151075856532447&set=a.94852817446.102006.39846147446&type=1

miss canada justin bieber boyfriend marianas trench camille grammer camille grammer us supreme court breaking dawn part 2 trailer

Adoptable Pets: Spunky Cattle Dog Wants to Join Your Herd ...

Watch the video above to learn more about Twiggles the dog.

Adoption fees:

Dogs 6 months and older are $200. That includes up-to-date vaccinations, heart worm tests, flea prevention, microchip, spay/neuter and a rabies shot.

Puppies to 6 months are $250 and include the same preventatives as above.

Senior dogs are $150 and include the same preventatives as above.

Cats are $80. That includes up-to-date vaccinations, feline leukemia shots, flea prevention, microchip, spay/neuter, rabies shot.

Kittens and declawed cats are $100 and include the same preventatives as above.

Contact?One of A Kind Pet Rescue?at 330-865-6200.

Source: http://cuyahogafalls.patch.com/articles/adoptable-pets-spunky-cattle-dog-wants-to-join-your-herd

marlins park marbury v. madison 2013 lincoln mkz burger king mary j blige google project glass google goggles one tree hill

Econs Tuition A Part Of Self Improvement: Coaching ? The Buzz Ear

The principle of preparation cannot be overemphasized. Whatever need of preparation you have won?t appear on the time of preparation, but much later when significant moments happen. Within lasting relationships, open as well as sincere interaction is the foundation. This also indicates being willing to go through the necessary difficulties to be able to achieve a good relationship. Financial literacy is among the foundations of planning for a family. Appropriate education is a second keystone. The third is spiritual development. These three prepares anybody to build a home and family.

The subject of economics is taught to students during junior college (JC) in Singapore. Since it is an application of Mathematics, students are given free tutorial services after school by their teachers for one or two hours. Unfortunately, there ratio of teachers to students aren?t enough. Too tense scheduling is not good for the teachers? routine. So, JC economics tuition is the finest as well as only option available. We don?t fret about tight and frantic schedules any longer.

Financial literacy is not directly taught by means of economics tuition. But the mature experiences of the tutor could be instrumental in vicariously making the student comprehend the need to balance needs with capital and where to get information or what to try and do should the wealth prove deficient. The proper education prerequisite can be resolved through the instruction of the tutor and the keeping track of of the performance by assessment tools like quizzes and oral exams. They calculate the personal development rate of the students.

Economic literacy is accomplished by the gathering of concepts learned by the students during school, from the teachers, along with their individual experiences that reinforce what they learned; vicarious learning through the experiences of company owners within the community; and, associated principles of macro and micro economics.

Econs tuition is simply another name for economics tuition. Spiritual maturity is still taught by parents in the family as they educate their children to develop relationships of faith with other people!

Related articles on economics tuition singapore or visit www.economicscafe.com.sg.

Tags: family, relationships

This entry was posted on Sunday, October 21st, 2012 at 9:18 am and is filed under Family. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

Source: http://thebuzzear.thegreatideasstore.com/new/?p=38916

farrah abraham Paul Ryan Speech

Source: http://korea-mothball.blogspot.com/2012/10/econs-tuition-part-of-self-improvement.html

next iron chef next iron chef aquamarine iraq war iraq war san diego chargers san diego chargers

Improving the safety of angioplasty in patients with coronary bypass graft disease

ScienceDaily (Oct. 22, 2012) ? Researchers at Thomas Jefferson University Hospital have shown that combining distal protection devices with the prophylactic use of the drug nicardipine is more effective at preventing life-threatening complications following a percutaneous coronary intervention (PCI) (angioplasty, stenting) on patients who have undergone previous bypass surgery than distal protection devices alone.

Their findings will be presented on Tuesday, October 23rd, at 8 a.m. at the Transcatheter Cardiovascular Therapeutics (TCT) conference, at the Miami Beach Convention Center by Michael P. Savage, MD, Director of the Cardiac Catheterization Lab at Jefferson.

Angioplasty or stenting on bypass vessels, called saphenous vein grafts, is associated with a high risk of complications due to distal embolization, the dislodging of plaque and clots downstream, impairing blood flow and leaving patients at-risk for a heart attack.

Distal protection devices are commonly used to prevent blockages by catching the dislodged plaque and clot in a basket-like device, allowing blood to filter through the bypassed artery. Still, complications remain in up to 10 percent of patients. Preliminary studies have suggested that prophylactic doses of the drug nicardipine, a common intracoronary vasodilator, can also help in this regard, but never have the two techniques been combined.

Savage and colleagues looked at clinical outcomes at 30 days post-PCI in 163 consecutive patients with prior bypass surgery. Group I consisted of 60 patients who underwent PCI using a distal protection device alone (no pre-treatment with nicardipine); Group II included 103 patients who underwent PCI with a distal protection device and pre-treatment with prophylactic nicardipine.

Both groups had similar baseline demographics including age (early 71 +/- 10 years), diabetes (47 vs. 44 percent) and bypass graft age (13 +/- 6 years). Group II had longer lesion length, requiring a longer stent and placing these patients at higher risk for complications.

At 30-days post-PCI death, heart attack, bypass or repeat PCI occurred in 10 percent of patients in Group I and in only one percent of patients in Group II. Mortality was 3.3 percent in Group I vs. zero in Group II, and incidence of MI was 10 percent in Group I vs. one percent in Group II. There was zero incidence of CABG, repeat PCI or stent thromboses in either group.

"Through the combined power of these two therapies, we have a new approach that is improving outcomes for this high risk subset of patients," says Savage.

Additional Jefferson researchers include: David L. Fischman, MD, Co-director, Cardiac Catheterization Laboratory; Paul Walinsky, MD, Director, Cardiac Care Units; Nicholas J. Ruggiero II, MD, Director, Structural Heart Disease and Non-Coronary Interventions; Suzanne Adams, Manager, investigator initiated research -- Jefferson Coordinating Center for Clinical Research; J. David Ogilby, MD, Co-director, Interventional Cardiology; Babu Jasti, MD; Harnish Chawla, MD; and Michael Gannon, MD.

Share this story on Facebook, Twitter, and Google:

Other social bookmarking and sharing tools:

---

Story Source:

The above story is reprinted from materials provided by Thomas Jefferson University, via Newswise.

Note: Materials may be edited for content and length. For further information, please contact the source cited above.

---

Note: If no author is given, the source is cited instead.

Disclaimer: This article is not intended to provide medical advice, diagnosis or treatment. Views expressed here do not necessarily reflect those of ScienceDaily or its staff.

Source: http://feeds.sciencedaily.com/~r/sciencedaily/health_medicine/heart_disease/~3/dqvgyc1I3RI/121022081405.htm

spike lee carson daly heejun han donovan mcnabb donovan mcnabb lottery ticket megga millions

Romney derides 'no agenda' Obama - In2EastAfrica - East African ...

Republican presidential candidate Mitt Romney has derided US President Barack Obama, saying his rival has ?no agenda? worthy of a second term in office.

Mitt Romney

At a campaign rally in Florida, he said the Obama campaign had been ?reduced to petty attacks and silly word games?.

Hours earlier, Mr Obama decried Mr Romney for shifting his positions as election day draws nearer, saying the Republican suffers from ?Romnesia?.

The two meet for their final debate, on foreign policy, in Florida on Monday.

Mr Romney and the Republicans are continuing to focus on the Obama administration?s handling of a deadly attack in Benghazi, Libya, in which four Americans including the US ambassador were killed.

The incident provoked a flashpoint during Tuesday?s second debate, and is likely to be hotly debated again in Boca Raton.

?Romnesia?

Friday?s campaigning saw both candidates make one major stop each: Mr Obama in the Washington DC suburb of Fairfax, Virginia, and Mr Romney in Daytona Beach, Florida.

Mr Obama told supporters that Mitt Romney was now only becoming more moderate as the election got closer.

?He is forgetting what his own positions are and he is betting that you are too,? Mr Obama said, giving his rival?s ?condition? a crowd-pleasing name: ?Romnesia?.

The president renewed his pitch to women voters, arguing that ?you don?t want someone who needs to ask for binders full of women,? a reference to Mr Romney?s description of how he recruited women for cabinet positions as governor of Massachusetts.

?You want a president who?s already appointed two unbelievable women to the Supreme Court of the United States.?

Former President Bill Clinton also campaigned for Mr Obama on Friday in Wisconsin.

Mr Romney, appearing later on stage with running mate Paul Ryan, described the Obama campaign as ?the incredible shrinking campaign?.

?Have you been watching the Obama campaign lately?? Mr Romney told supporters at the Dayton Beach bandshell. ?They have no agenda for the future, no agenda for America, no agenda for a second term. It?s a good thing they won?t have a second term.?

Mr Romney said the Obama campaign had been ?reduced to petty attacks and silly word games?.

Tightening race

Recent polls show an ever-tightening race, including in key election states.

A CNN poll on Friday suggested Mr Romney has a slender 1% lead in Florida, within the poll?s margin of error. A separate poll gave a similar edge to Mr Romney in Iowa and New Hampshire.

Both candidates are also trying to gain as many votes as possible through early voting, already under way in many states across the US. Election day itself is Tuesday 6 November.

With the election now less than three weeks away, newspapers are beginning to hand out their endorsements. On Friday, Mr Obama won the endorsement of the Salt Lake Tribune ? despite the city being home to Mr Romney?s Mormon faith.

Elsewhere, The Tennessean, which often endorses Democratic candidates for president, chose Mr Romney.

It was also reported on Friday that seven of the key ?swing states? in the US election had seen their unemployment figures fall over the past 12 months.

BBC

Do you have a story or an article to publish? Please email us to submit@in2eastafrica.net.

Source: http://in2eastafrica.net/romney-derides-no-agenda-obama/

kim richards robert hegyes mary louise parker mary louise parker cher morgellons nhl all star draft

Six killed in Guinea Bissau firefight: sources

BISSAU (Reuters) - Six people were killed in a gunbattle near Guinea-Bissau's capital overnight in an apparent counter-coup attempt, sources said on Sunday.

The West African state, a hub for international cocaine traffickers, is in the midst of a messy recovery after the army overthrew the government and derailed elections in April.

"It appears to have been a failed counter-coup," one diplomatic source said of the fighting, asking not to be named. "The military is checking vehicles around Bissau, mostly vehicles that are leaving," he said.

Military officials said the fighting erupted overnight near an airforce base just outside the city, adding six "rebels" were killed and several others detained.

Some of the attackers were from an ethnic group, Djolla, common in neighboring Senegal's southern Casamance region, they said, asking not to be named.

They declined to comment on whether the attack targeted General Antonio Indjai who led the April coup and is believed to have a residence near the airforce base.

Several Bissau officials, including election front-runner and former prime minister Carlos Gomes Junior, went into exile in Portugal after the April coup.

Other political and military allies of Gomes Junior sought refuge in Gambia.

Guinea Bissau's transitional government, charged with setting new elections, has backing from West African regional block ECOWAS but it lacks the full support of the United Nations, the European Union and the CPLP grouping of Portuguese-speaking countries who say it remains under army influence.

(Reporting by Alberto Dabo; Additional reporting and writing by Richard Valdmanis; Editing by Janet Lawrence)

Source: http://news.yahoo.com/six-killed-guinea-bissau-firefight-sources-122010065.html

the hartford illinois primary 2012 michael bay zsa zsa gabor illinois primary trayvon martin 911 call kiribati

Schneier on Security: Friday Squid Blogging: Squid Insurance

A blog covering security and security technology.

? Stoking Cyber Fears | Main

Friday Squid Blogging: Squid Insurance

This was once a real insurance product. Squid Insurance Marketing was the low-end offering at Astonish, complete with the tagline "Nothing Kills a Squid!"

As usual, you can also use this squid post to talk about the security stories in the news that I haven't covered.

Posted on October 19, 2012 at 4:54 PM ? 4 Comments

To receive these entries once a month by e-mail, sign up for the Crypto-Gram Newsletter.

Not sure what I think of it yet, but have you been tracking the new Apple connector?

http://appleinsider.com/articles/12/10/16/...

Supposedly, the /cable/ has a security chip. Very odd system, where Apple (so we're told) has control of all of them, then as a peripheral maker, you buy the chips from Apple.

Or, apparently, a "security" chip. Supposedly already cracked, which makes me wonder what the point was. Not that they are necessarily bad at security, but maybe that it's true purpose is to increase cost, or... something else I can't decipher.

Posted by: Steven Hoober at October 19, 2012 5:53 PM

OK, didn't see this story covered, so I thought it was worth a discussion. Adi Shamir did a study of Bitcoin and the transaction history. He and his co-author concluded that around 75% of the coins have never been in circulation and are being hoarded by a very small number of people.

Ars technica story here: http://arstechnica.com/tech-policy/2012/10/...

Posted by: Bitcoin at October 19, 2012 6:12 PM

What i don't realize is in fact how you are now not actually a lot more well-favored than you might be now. You are so intelligent. You realize thus significantly with regards to this topic, made me in my opinion believe it from a lot of numerous angles. Its like women and men are not involved until it's something to do with
Lady gaga! Your personal stuffs outstanding. Always care for it up!

Posted by: ???? ????? ???? ?????? ????? ????? at October 19, 2012 7:13 PM

Subscribe to comments on this entry

Schneier.com is a personal website. Opinions expressed are not necessarily those of BT.

Source: http://www.schneier.com/blog/archives/2012/10/friday_squid_bl_348.html

melissa gilbert deadliest catch dwts sean hannity bobby petrino fired buffett rule lollapalooza lineup

Domestic Short Hair - A546503 - Small - Baby - Female - Cat ...

Domestic Short Hair - A546503 - Small - Baby - Female - Cat

CHARACTERISTICS:
Breed: Domestic Short Hair
Size: Small
Petfinder ID: 24395544

ADDITIONAL INFO:
Pet has been spayed/neutered

CONTACT:
Northwest S.P.C.A. | Oroville, CA | 530-533-7636

For additional information, reply to this ad or see: http://www.petfinder.com/petnote/displaypet.cgi?petid=24395544

Brought to you by Petfinder.com

Source: http://chico.ebayclassifieds.com/cats-kittens/oroville/domestic-short-hair-a546503-small-baby-female-cat/?ad=24064522

matthew broderick tax refund calculator huntington disease west memphis three taxes game of thrones season 2 trailer sag award winners

Big Think: The Importance of Yesterday | Masters of Media

About Richard Zimerman
I spent the past few years in Geneva, Switzerland doing a BA in Media Communications and Management also focusing part of my work on marketing. One of my key interests was information quality in the age of web 2.0 and how massive information sharing and UGC can interfere with the learning process. Currently I am doing a Masters at the UvA in New Media and Digital Culture. I am mostly interested in new developments in the technological sector, such as ubiquitous computing, and their impact on society and future business models.

? ?

?

Archiving online can be a tricky undertaking. On the one hand we can?t get enough of it when it comes to news and scholarly articles or any other form of factual information but on the other hand there seems to be too much of it going on concerning personal or private data and irrelevant babble. In this text I will explore the topic of web archiving as an integral part of website design using the example of ?big think? and their partial front page archiving function. In comparing this way of creating a visual interface for archiving to other websites I will try to highlight the significance of archiving information in context as opposed to archiving standalone information.

?

Structure of the Website

The structure of the big think website is more or less standard for any blog site with the logo, some advertising, social media and the navigation in the header, followed by a banner with the daily stories and the popular posts or editor?s picks.

This is then followed by the main blogroll and the idea feed, occasionally interrupted by ads and newsletter signup fields. The website is then rounded off with the footer containing the topic selection, about us, contact and link sections.

The main part of this layout of course that drew my attention is a button, which is marked in orange on the graphic. I will refer to it as the ?time machine? button. It is a simple arrow that when clicked sets the date back one day at a time and changes the banner to display the idea of the day and the front page articles of the day before. This can then be repeated to view an earlier date.

The reason why I refer to this button as the time machine is because it doesn?t just list the articles of the day before but actually displays the layout of the day before in the banner allowing the user to virtually travel back in time to the web page of yesterday retaining the context of the articles.

Archiving Online

The issue with archiving online is similar to the problem of displaying information online and that is context. Take for example your standard blog website with continuous flow of information. In the present the content of the article can be compared with other content available in the present and organized into tag clouds or some other relevant visualization thus creating some form of context for it. When these articles are archived however the only context the user gets is the date when this article was published and (most of the time) who published it. Since the web is a dynamic medium, which doesn?t follow a set publishing rhythm it becomes difficult to trace contexts in the past.

Put that in direct comparison to print newspapers being archived as a whole and you will find a significant difference because whenever an archived newspaper is revisited the person viewing it can see what articles were displayed on the same page, their size relative to each other and the order in which they appeared on the page and on which page of the newspaper they appeared. The information of this newspaper can thus be studied in the context of this newspaper at a given date in time.

Now of course the blog does not have ?pages? like a newspaper but it does have sections. These sections, much like newspaper pages, give different weight to the articles. Once however these articles are archived the visual of this is hierarchy is lost and only the information from the article itself is left.

There are some who try to archive the web in one way or another such as the Wayback machine.?This can be done for various reasons, e.g. to see the evolution of the design of a web page or the change in technologies used to portray information and organize it on a page, but one of them could be to see the interplay of information on a web page at a given date in time. For example it is possible to see how a certain event was portrayed by a website at a given time such as 9/11.

?Big think?, with their time machine button on the front page influencing the banner and reloading the ?front page? of yesterday manages to partially recreate that effect of being able to see the context of information and of ideas at a given date in time and uses it as an integral part of their layout giving similar weight to the archived ?front page? almost as the present one.

The Importance of Yesterday

Apart from having the latest content most websites use a basic search function that allows the user to search for articles according to keywords or sometimes the date but most of the standards of archiving only extend to the information, which is being archived, not the actual website since the content is dynamic and loaded from databases to be viewed on a standard html/css hull.

The timely medium favors topical context (connected by tags) as opposed to historical context. Topical context can be extremely useful but not always the most relevant context for a specific piece of information.

The basic idea behind web archiving is to preserve the web, however current techniques of archiving usually only preserve information uploaded to the web. You may wonder what the difference is but once again the difference is very similar to the newspaper example given before. Archiving the newspaper and the cut out articles from a newspaper are two very different things used for two different types of research. One concentrates on the thing that happened and the other concentrates on how that which happened was portrayed in the media in context of the medium itself.

Similarly archiving articles scattered across the web, ordered by date or author or even simply by keywords achieves the archiving of information but it may not be enough to answer the questions of how this information was portrayed in the medium itself at a certain moment in time.

The comparison between the newspaper and the internet in this case is not here to show how something should be done but much rather that the current way of archiving web content may be lacking from the perspective of contextual information portrayal within the medium.

As mentioned before there are institutions, which attempt to archive some of the web in one way or another but the task is much more difficult for an outsider as opposed to the website itself. In the case of ?big think? this is being handled internally by the website (although it is not a screenshot of the entire site) with a button allowing the user to go back in time and view the ?website of yesterday?. To draw a rather banal parallel to the biggest social media website, the timeline idea may not be that bad.

Of course the big think model is only one example of how to visually integrate a different type of archiving into web design and there is no right way of doing this but at least it is being thought about and it could be thought about more because as the time machine function on the big think website proves, the ideas of yesterday may be just as good as the ones from tomorrow and losing the context may result in the loss of the big picture and hence the idea itself.

Source: http://mastersofmedia.hum.uva.nl/2012/10/19/big-think-the-importance-of-yesterday/

whip it gabby giffords gabby giffords geithner gabrielle giffords juliette lewis chelsea handler

2012 Key Art Awards Winners ? iNews Hollywood

STORY: ?Ted? Wins Big at 41st THR Key Art Awards

GRAND KEY ART

Ted

NBCUniversal
EVP/Head of creative advertising: Maria Pekurovskaya
SVP creative advertising: Patrick Starr
SVP digital: Doug Neil
EVP publicity: Alissa Grayson

AUDIO VISUAL: GOLD

EVP marketing: Larry Baldauf
VP creative advertising: Heather Artis
VP creative advertising: Flavia Amon
Editor: Gene Gamache

Jennifer Horvath

AUDIO VISUAL: SILVER

mOcean
Creative director: Greg Harrison
Copywriter: Sherri Jacobsen
Editor: Josh Dunn
Art director: Ryan Kim
Animator: Tim Finley

Acme Trailer Co.
Other: Larry Baldauf
Other: Patrick Starr
Other: Flavia Amon
Producer: Stephen Grzymala
Editor: Stephen Grzymala

Cole?s Cuts
Editor-copywriter: Cole Barager
SVP creative advertising: Amanda Edwards
Associate producer: Kiki Tanaka
Creative manager: Annie McRoberts

Jennifer Horvath

Buddha Jones
SVP creative advertising: Arnaldo d?Alfonso
Producer: John Long
Producer: Jason Chappelle
Editor: Troy Rinkenberger
Copywriter: David Cassada
Graphic designer: Balinda Huang

Buddha Jones
VP creative advertising: Eric Mickelson
Producer: Dan Asma
Editor: Bill Neil
Copywriter: John Foley
Art director: Kim Tang
Graphic designer: Joshua Hamilton

American Film Institute
Producer: Joseph Novoa
Director: Joel Novoa
Cinematographer: Carlos Luis Rodriguez
Cinematographer: Jonas Sacks
Cinematographer: Petr Cikhart
Editor: Xue Yin

Ya Da Film Production
Director: Ismail Orhan Toraman
Producer: Suat Kucukaydin
Cinematographer: Okyay Yildiz
Composer: Cem Kismet
Editor: Dehriy Doga Dirier
Art director: Talat Doganoglu

AV Squad
Editor: Brian Diederich
Producer: Kareem Hammad
Creative director: Chad Miller
Graphics: Jeff Smith
Client: Christian Davin

Picture Production Company
Creative director: Dan Skinner
Editor: James Blunden
Editor: Simon Sleap
Account executive: Sinead O?leary
Sound designer: Penny Hull

Herzog & Company
Producer: Anna Yeager
Editor: Josh Rosenfield
Visual effects producer: Stewart Hendler
Visual effects producer: Raleigh Stewart
Associate producer: Ajay Clark
Music supervisor: Chris Restivo

?

Indomina Media
Editor: Jon Bertain
Graphics: Lauren Fisher
Creative director: Lauren Fisher
VP marketing: Amy Tu

Vibe Creative
SVP creative advertising: Jackson George
SVP creative advertising: Patrick Starr
Manager, creative advertising: Joe Wees
Manager, creative advertising: Jennie Wilkes
Executive creative director: Paul Holtzhausen
Creative director: Nicholas Weiss
Executive producer: Ann Mugglebee
Producer: Craig Dobbs
Producer: Jason Branta
Associate producer: Jackie Thomas
Editor: Alex Flores
Executive creative director: Helen Greene

Lifetime
SVP marketing creative & brand strategy: Tim Nolan
Creative director/VP on-air promotions: J.A.S. Sustrich
Director of production: Jennifer Ferguso-Sullivan
Director: Matthew Rolston
Creative agency: BPG

Open Road Entertainment
Creative directors: Massey Rafani, Richard Redfield, Brian Worsley
EVP creative advertising: Massey Rafani
Director of creative advertising: Brian Worsley
Producer: Richard Redfield
Editor: Jeff Davis

Buddha Jones
VP creative advertising: Eric Mickelson
Producer: Dan Asma
Editor: Bill Neil
Copywriter: John Foley
Art director: Kim Tang
Graphic designer: Joshua Hamilton

The Ant Farm
Co-president: Rob Troy
Creative director: Scott Carson
Producer: Ryan Vickers
Copywriter: Writers
Editor: Ahmet Atalay
Cinematographer: Rick Grubel
Cinematographer: Jason Norrid

Trailer Park
Creative director: Massey Rafani
Creative director: Matt Brubaker
Producer: Craig Platt
Editor: Chris Park
Music supervisor: Bobby Gumm
Copywriter: Mark Trux

Buddha Jones
Animation marketing Brand Lead/Creative director: David Sameth
Producers: Lee Harry, Steven Robertson, Krystle Lafond
Editor: Lee Harry
Copywriter: David Sameth
Copywriter: Steven Robertson
Art director: Beth Roy
Graphic designer: Jason Liwag

AUDIO VISUAL: BRONZE

Trailer Park
Creative director: David Sameth
Creative director: Destiny Esposito-Teeters
Producer: Brian Fink
Editor: Steve Sanders
Music Supervisor: Bobby Gumm
Copywriter: Brian Fink
Copywriter: Mark Trux

Buddha Jones
VP creative advertising: Eric Mickelson
Producer: Dan Asma
Editor: Bill Neil
Copywriter: John Foley
Art director: Kim Tang
Graphic designer: Joshua Hamilton

Trailer Park
Composer: Hans Zimmer
Creative director: Massey Rafani
Creative director: Matt Brubaker
Producer: Craig Platt
Editor: Chris Park
Music Supervisor: Bobby Gumm

Buddha Jones
Animation marketing Brand Lead/Creative director: David Sameth
Producer: Steven Robertson, Krystle Lafond
Composer: Miles Mosely
Executive music producer: Mitchell Leib
Executive music producer: Rhona Nici Parry
Editor: Michael Brodner
Copywriter: David Sameth
Copywriter: Steven Robertson
Art directors: Beth Roy, Kim Tang

Buddha Jones
Copywriter: David Sameth
Copywriter: Steven Robertson
Art directors: Beth Roy, Kim Tang
Producer: Steven Robertson, Krystle Lafond
Editor: Michael Brodner
Animation marketing brand lead/Creative director: David Sameth

mOcean
EVP creative advertising: Arty Pearson
Editor: Jay Bender
Producer: Josh Olson
Producer: John Ibsen
Art director: Russ Honican

Skip Film
President of domestic theatrical marketing and chief creative officer: Tony Sella
SVP creative advertising domestic theatrical: Ely Orias

Buddha Jones
President of marketing: Jason Cassidy
SVP creative advertising: Laura Carrillo
Director, creative advertising: Jack Teed
Producer: Bill Neil
Editor: Bill Neil
Copywriter: Steven Robertson

A&E Television Networks
Creative design: BLT Communication

The Ant Farm
Co-president: Rob Troy
Creative director: Scott Carson

mOcean
SVP Honor promotions: John Varvi
EVP marketing and promotion: Stephanie Gibbons
SVP of FX production: Kenna McCabe
Producer: Scott Goldman
Editors: Dan Barnette, Pablo Proenza
Graphics: Matt Smith, Sean Dowey

Acme Trailer Co.
Executive Creative director: Larry Baldauf
Creative director: Heather Artis
Other: Flavia Amon
Producer: Stephen Grzymala
Editor: Stephen Grzymala
Copywriter: Aaron Orozco

Flyer Entertainment
SVP global creative marketing: Julie Markell
Executive director, creative marketing: Jeremy Gershman
Creative director: Tom Merchant
Producer: Bonnie Korling
Editor: Dave McLaughlin

A&E Television Networks
Creative design: BLT Communications

The Ant Farm
Co-president: Rob Troy
Creative director: Scott Cookson
Producer: David Wilson
Copywriter: Rob Troy
Copywriter: Scott Cookson
Editor: Ahmet Atalay

Trailer Park
Creative director: Craig Platt
Editor: Chris Mayhew
Music supervisor: Bobby Gumm

Flyer Entertainment
SVP global creative marketing: Julie Markell
Director, global creative development: Leslie Bird
Creative director: Tom Merchant
Producer: Bonnie Korling
Editor: Jared Aucoin

The Ant Farm
Client: Grove Street Pictures
Client: Spitfire Pictures
Client: Sikelia Productions
Writer/producer: Michelle Jackino
Editor: Brian Rainman

Mojo
Creative director/producer/writer: Jeff Lamont
Editor: Chris St. Pierre
Music supervisor: Holly Hung
Marketing executive/Creative director: John Stanford

History

Big Picture Entertainment
Producer: Ryan Hegenberger
Editor: Mike Mastrangelo
VP creative advertising: Trisha Hegeman
President of worldwide creative advertising: Tommy Gargotta

Giaronomo Productions
Creative director: Ron Auerbach
Creative director: Giacomo Vieste
Producer: Paul Vincent
Editor: Paul Vincent
SVP creative advertising A/V: Myles Bender

Wild Card
Head of creative advertising: Maria Pekurovskaya
Manager of creative advertising: Jeanne LeSaffre
Creative director: Nick Temple
Producer: Justin Slobig
Producer: Steve Hull
Editor: Evan Colfer
Copywriter: Maria Pekurovskaya

mOcean
SVP worldwide creative services: Andy Siditsky
VP worldwide creative services: Robin Greer
Editor: David Schumann
Producers: Adam Rosenblatt, Alan Ireland

Editor: Ryan Finn?? ?
Producer: Neal spector
Client: Andrei Bulawka

Trailer Park
Creative Director: Massey Rafani
Creative Director: Matt Brubaker
Producer: Craig Platt
Editor: Chris Park
Music Supervisor: Bobby Gumm
Copywriter: Mark Trux

Mark Woollen & Associates
Creative Director: Mark Woollen
Agency Producer: Scott Mitsui
Editor: Chad Misner
Graphic Designer: Neil Kellerhouse

Aspect Ratio
SVP creative advertising: Tim Sommerfeld
President of worldwide marketing: Nancy Kirkpatrick
Creative Director: David Ligorner
Editor: Aura Johnson Kay

Trailer Park
Creative director: Craig Platt
Editor: Chris Mayhew
Music supervisor: Bobby Gumm

Wild Card
Head of creative advertising: Maria Pekurovskaya
Manager of creative advertising: Jeanne Lesaffre
Creative director: Nick Temple
Producer: Justin Slobig
Producer: Steve Hull
Editor: Evan Colfer
Copywriter: Maria Pekurovskaya

Vibe Creative
Creative director: Nicholas Weiss
Producer: Craig Dobbs
Producer: Jason Branta
Editor: Alex Flores
SVP creative advertising: Jackson George
SVP creative advertising: Patrick Starr
Manager, creative advertising: Joe Wees
Manager, creative advertising: Jennie Wilkes
Associate producer: Jackie Thomas
Executive producer: Ann Mugglebee
Executive creative director: Paul Holtzhausen
Executive creative director, graphics: Helen Greene

mOcean
SVP Honor promotions: John Varvi
EVP marketing and promotion: Stephanie Gibbons
SVP of FX production: Kenna McCabe
Producer: Scott Goldman
Editors: Dan Barnette, Pablo Proenza
Graphics: Matt Smith, Sean Dowey

Acme Trailer Co.
Executive creative director: Larry Baldauf
Creative director: Heather Artis
Other: Flavia Amon
Producer: Stephen Grzymala
Editor: Stephen Grzymala
Copywriter: Aaron orozco

SVP Global Creative marketing: Julie Markell
Executive director, Creative marketing: Jeremy Gershman
Creative director: Tom Merchant
Producer: Bonnie Korling
Editor: Dave McLaughlin

DIGITAL: GOLD

Ignition
Executive Creative director: Evan DeHaven
Creative director: Chris Eyerman
Director of Strategy: James Cobo
Director of production: Maiko Sakurai
lead developer: Matt Johnston
Art director: Nick Boes
Designers: Andy Burdin, Wilson Saloj, Jacob Jansson, Anyez Cheung
Developers: Matt Matijevich, Andres Cruz
3D: Octavio Minozzo, Vit Liskutin, Kevin Cahill
Social Media Coordinators: Lindsey Shaw, Amber Eyerman

Ignition
Creative director: Chris Eyerman
Director of production: Maiko Sakurai
Director of strategy: James Cobo
Social Media Coordinator: Lindsey Shaw
Copywriter: James Cobo
Copywriter: Ashley Crandall

Miami Ad School Istanbul
Art director: Emre Unayli
Copywriter: Mustafa Ulker

DIGITAL: SILVER

A&E Television Networks

NBCUniversal
SVP digital marketing: Doug Neil
SVP digital marketing: JP Richards
Manager, digital marketing: Kris Lichthart
Manager, digital: Dylan Bridges
Coordinator, digital marketing: Nick Zalucki
Creative director: John Christiano
Producer: Jennifer Christiano
Art director: Joey Barrus
Developer: Joey Barrus

Creative Executions
NBCUniversal
SVP digital marketing: Doug Neil
SVP digital marketing: JP Richards
Manager, digital marketing: Kris Lichthart
Coordinator, digital marketing: Nick Zalucki
Associate Creative director: Jonathan Cook
senior Art director: Dale Brodie
developer: Robert Aquino
producer: Stacie Gibo
Coordinator: Caroline Newman
Coordinator: Tracy Camp

The Cimarron Group

Ignition
Creative director: Chris Eyerman
Senior art director: Chad Tafolla
Senior producer: Parker Sapp
designers: Andy Burdin & Dru Bramlett
lead developer: Chris Gortz
developers: Matthew Goshman & Amrir Toufali
Illustration: Zach Shuta
Compositing: Eric Dehaven
VTR operator: John Densmore
Cameraman: Jeff Woodings
Gaffer: Stuart Cropley
Grip: Derek Voy
Makeup: Stuart Hirsch
Wardrobe: Olivia Coleman & Nataly Lastorta

Campfire
president: Jeremiah Rosen
Executive creative director: Michael Monello
Creative director: Steve Coulson
Associate creative director: Merrin McCormick
Account Supervisor: Zoey Taylor
Head of production: Jason Sutterfield
producer: Christine Cattano
Associate producer: Jakub Popadiuk
Copywriter: Josie Keeney
Art director: Kristen Curtis
designer: Dylan Werner

Watson DG
Creative director: Fernando Ramirez
VP digital and print media: Graham Retzik
Director of creative advertising: Tyler Fowler
EVP marketing: Larry Baldauf
Team: Team

Sony Pictures Interactive

Ignition
Executive creative director: Evan DeHaven
Senior art director/designer: Chad Tafolla
Director of production: Maiko Sakurai
Lead developer: Jason Hughes
Developer: Matthew Goshman

NBCUniversal
SVP digital marketing: Doug Neil
SVP digital marketing: JP Richards
Manager, digital marketing: Kris Lichthart
Coordinator, digital marketing: Nick Zalucki
Creative director: Hill Salomon
Executive producer: Aaron Dubois
Lead strategy: Greg Ruben
Art director: Jeremy Stabile
System Architect: Gary McDaniel
Developer: Matt Dunnerstick
Producer: Viet Nguyen

DIGITAL: BRONZE

NBCUniversal
SVP digital marketing: Doug Neil
SVP digital marketing: JP Richards
Manager, digital marketing: Kris Lichthart
Coordinator, digital marketing: Nick Zalucki
president: Tom Oksner
producer: Andrew Feldman
producer: Paul Denni

Think Jam

NBCUniversal
SVP digital marketing: Doug Neil
SVP digital marketing: JP Richards
Manager, digital marketing: Kris Lichthart
Manager, digital: Dylan Bridges
Coordinator, digital marketing: Nick Zalucki
Creative director: John Christiano
Other: John Christiano
Art director: Morgan Keep
Other: Matthew Jordan
Writer: Dino Vindeni
Other: Morgan Keep

Turner Broadcasting Systems

BLT Communications
Designed/developed: BLT Communications
SVP digital marketing: TJ Marchetti,
Manager, digital marketing: Jonathan Viola

DISPLAY: GOLD

RockTenn Merchandising Displays

BLT Communications
Creative/design: BLT Communications

Walt Disney Studios
EVP WDSMP Creative print services: John Sabel
VP WDSMP Creative print services: Kari Miller
Design company creative director: Bob Rembert
Design company designer & engineer: James Volpe
Digital illustrator: Pixar Animation Studios
Finisher: Daniel Clark & Associates

DISPLAY: SILVER

Tomy Advertising
President, worldwide creative advertising: Tommy Gargotta
SVP print advertising: Mark Aalker
Director, print advertising: Eloise Gomez
Manager, creative advertising: Kate Allen
Creative/design: BLT Communications
Production/manufacturer: Tomy Adv

Midnight Oil Creative/LAgraphico

DISPLAY: BRONZE

Midnight Oil Creative/LAgraphico

Walt Disney Animation Studios
VP worldwide marketing: Greg Coleman
Director of Wreck-It Ralph: Rich Moore
Art director: Joe Dunn
Art designer: Scott Watanabe
Lead game producer: Micah Jackson
Game programmer: Jeff Vavasour
Game consultant: John Perry

cold open

INNOVATIVE MEDIA: GOLD

Ignition
Executive creative director: Evan DeHaven
Creative director: Chris Eyerman
Director of production: Maiko Sakurai
Director of strategy: James Cobo
Lead developers: Matt Johnston, Matthew Goshman
Art director: Nick Boes
Designers: Andy Burdin, wilson Saloj, Jacob Jansson, lucas Camargo, Nick Jones, Anyez Cheung
Copywriters: Ashley Crandall, Nina Kauffman, Meredith Rose, Charlie Short
Producers: Sheila Iverson, Jamie Somphanthabansouk, Parker Sapp
3D model development: Shaded Box, Octavio Minozzo, Vit liskutin, Kevin Cahill
Compositing: Eric DeHaven
VFX: The Molecule, Luis de Leon
Live action shoot: Robert Uncles, Stuart Cropley, Morgan Locke
Developers: Matt Matijevich, Thomas Mulloy, David Benjamin, Andres Cruz, Ryan Hovland, Codin Pangell
3D game development: Plain Concepts
Social media coordinators: Lindsey Shaw, Amber Eyerman
Sound designer: Bob Partridge

History

INNOVATIVE MEDIA: SILVER

BLT Communications
Creative/design: BLT Communications
SVP Cinemax brand marketing: Chris Spadaccini
Pirector, Cinemax brand marketing: Jason Mulderig
Coordinator, Cinemax brand marketing: Emily Carr
Production company: Apologue Inc.
Software development/System design/Technology integration: Audio, Video & Controls

Turner Entertainment Networks
CMO of TEN marketing: Jeff Gregor
SVP TEN marketing: Tricia Melton
VP TEN marketing: Christine Drayer
director of TEN marketing: Nicole Hall
Senior manager, TEN marketing: Jen Mintz
Coordinator, TEN marketing: Kaylie Damen,
Creative director: Andrew Zolty
Technical director: Mattias Gunneras
Co-founder: Mike Lipton

INNOVATIVE MEDIA: BRONZE

BLT Communications
Creative/design: BLT Communications
SVP program Advertising: Zach Enterlin
Director, program advertising: Sono Mitchell
Manager, program advertising: Pia Chaozon
Illustrator: Robert Rodriguez
Illustrator: BLT Communications

TNT?s

Turner Network Television
Senior marketing Manager: Carolyn Hayes
Senior director: Melissa Chambless
VP: Christine Drayer
SVP: Tricia Melton
VP: Sarah Goodnow
Manager: Sarah Cammack
designer: Stan Herd
Manager: Matt Cullen

Miami Ad School Istanbul
Art director: Emre Unayli
Copywriter: Berkin Dalgic

INTEGRATED: GOLD KEY ART

Warner Bros.
president worldwide marketing: Sue Kroll
EVP worldwide marketing: Blair Rich
EVP creative advertising: Massey Rafani
EVP media: Lynn Whitney
SVP interactive marketing: Michael Tritter
EVP publicity: Juli Goodwin
SVP worldwide promotions: Gene Garlock

INTEGRATED: SILVER

NBCUniversal
EVP/Head of creative advertising: Maria Pekurovskaya
SVP creative advertising: Jackson George
SVP digital: Doug Neil
EVP publicity: Alissa Grayson

Lionsgate

INTEGRATED: BRONZE

A&E Television Networks

A&E Television Networks

Warner Bros.
President, worldwide marketing: Sue Kroll
EVP worldwide marketing: Blair Rich
SVP creative advertising: Christian Davin
EVP Media: Lynn Whitney
SVP Interactive marketing: Michael Tritter
EVP publicity: Juli Goodwin
SVP worldwide promotions: Gene Garlock

PACKAGING: GOLD

Canyon Design Group

JohnsByrne Cali

Neuron Syndicate Inc.
Creative director: Traci Carroll

A&E Television Networks

PACKAGING: SILVER

AGI-Shorewood
Designer: Neil Kellerhouse
VP creative services: Gregg Shack

30sixty Advertising

Lifetime
SVP marketing creative & brand strategy: Tim Nolan
Senior director of consumer marketing: Ann Marie
Granite senior manager of consumer marketing: Eric Applequist
Marketing coordinator: Jessica Liss
Creative agency: Ignition

Petrol

Walt Disney Studios Home Entertainment
SVP worldwide creative services: Andy Siditsky
Other: creative services Team

Weston/Mason
VP creative services: Elizabeth Bishop
Creative director: Reshelet Barnes
Manager: Alana Worotko
Executive creative director: Beverly Mason
Account executive: Beth McDonald
Creative director: Steven Caceres

GNAH Studios Inc.
Creative director: Duy Nguyen
Creative director: Richard Hilary
Creative director: Avi Renick

Hamagami Carroll Inc.
Chief creative officer: Justin Carroll
Art director: Kris Tibor
Designer: Damon Luu
Senior project manager: Jessica Doremus
Product manager: Dave Geffon
Creative services director: Vyn Arnold
Creative director: Holden Hume
Illustrator: Marek Okon

PACKAGING: BRONZE

AGI-Shorewood
Art director: Jessica Widro
Structural designer: Armando Bermudo

Art Machine
VP worldwide creative services: John d?Agostino

Soda Design
Art director: Louis Falzarano
Copywriter: Julie Kirgo

Neuron Syndicate
Art director: Samira Danesh

GNAH Studios
Creative director: Duy Nguyen
Creative director: Richard Hilary
Creative director: Avi Renick

BLT Communications
Creative/design: BLT Communications
SVP creative services worldwide: Michele Bell
Creative services manager: Andrew Pham

PRINT: GOLD

Tomy Advertising Inc.
EVP creative advertising/Creative director: Massey Rafani
Director, creative advertising: Brian Worsley
VP marketing services: Mark Fitzgerald
Creative director: Jason Lindeman
Art director: Tai yii-yeh
Senior account executive: Jay Werner
Finisher: David Williams
Production/manufacturer: Tomy Adv

The Refinery
SVP marketing: Linda Schupack
VP marketing: Gina Hughes

Ignition Print
Account Executive: Jay Werner
Art director: Oleg Zatler
Creative director: Massey Rafani
Creative director: Jason Lindeman
Director creative advertising: Brian Worsley
Finisher: David Williams

BLT Communications
Creative/design: BLT Communications
Chief marketing officer: Josh Greenstein
VP creative advertising: Scott Fleisher
Animation: DreamWorks Animation

Iconisus
Creative director and EVP marketing: stephanie Gibbons,
Art director and VP print design: Todd Heughens
Creative director: Stephan Lapp
Creative director: Emrah Yucel
Account executive: Ersin Pertan

PRINT: SILVER

Fox Broadcasting Co.
President, marketing and communications: Joe Earley
SVP design: Tom Morrissey
director, print design: Mitch Strausberg
Senior art director: Paul Venaas
Finisher: Moises Cisneros

Tomy Advertising Inc.
SVP creative advertising: Christian Davin
Manager, print production: Sean Hanrahan
Outdoor concept & design: cold open
Graffiti artist: Art Machine
Production/manufacturer: Tomy Adv

Eclipse
Creative director: Glenn Garland
Art director: Warren Toneman
Finisher: David Williams
EVP creative advertising: Massey Rafani
Director, creative advertising: Brian Worsely

The Refinery
EVP marketing: stephanie Gibbons
VP print design: Todd Heughens

The Refinery
SVP marketing: linda schupack
VP marketing: Gina Hughes

Lionsgate

The Refinery
Executive creative director: Steve Perani
SVP marketing: Jeanne Berney

Gravillis Inc.

Bemis Balkind

Lionsgate

Gravillis Inc.
Illustrator: Akiko Stehrenberger

Gravillis Inc.

International One-Sheet
Empire Design

Lionsgate
photographer: Tim palen

Miami Ad School San Francisco
Student: Hazar Aki

History

The Refinery
Executive creative director: Steve Perani
SVP marketing: Jeanne Berney

Ignition Print
Account executive: Abbi Russal
Account executive: Chellis Ying
Art director: Oleg Zatler
Creative director: Jason Lindeman
Finisher: Jonah Buensuceso

PRINT: BRONZE

BLT Communications
Creative/design: BLT Communications
Chief marketing officer: Josh Greenstein
VP creative advertising: scott Fleisher

The Refinery
EVP marketing: Stephanie Gibbons
VP print design: Todd Heughens

Ignition Print
Account executive: Adam Fox
Art director: Yujin Ono
Creative director: Emmett James
Copywriter: Client Provided
Finisher: John Soltis

Concept Arts Studio Inc.

The Cimarron Group
Creative executive: Paula Silver

Walt Disney Studios
EVP WDSMP creative print services: John Sable
VP WDSMP creative print services: Kari Miller
Finisher: Jonny Kwan

Fox Searchlight
Art director: Mark Carroll
EVP marketing: Larry Baldauf
VP new media and print: Graham Retzik

BLT Communications
Creative/design: BLT Communications
President, worldwide creative advertising: Tommy Gargotta
EVP creative advertising: David Singh
Photographer: Jaimie Trueblood

Ignition Print
Account Executive: Jay werner
Art director: Oleg Zatler
Creative director: Massey Rafani
Creative director: Jason Lindeman
Director creative advertising: Brian Worsley
Finisher: Todd Reublin

Ignition Print
Account executive: Abbi Russal
Account executive: Jacqueline Gonzalez
Art director: Jennifer MaHarry
Creative director: Jason Lindeman
Copywriter: Jennifer MaHarry
Finisher: Todd Reublin

BLT Communications
Creative/design: BLT Communications
SVP creative advertising: Arnaldo d?Alfonso
Photographer: Mark Seliger
Photographer: BLT Communications

Blood & Chocolate
VP creative: Eric Mickelson
Co-president: Terry Press
Creative director: Mark Crawford

Bemis Balkind

REV Creative
Transatlantyk 2012: Tomasz Opasinski

Lionsgate

Miami Ad School
Art director: Martins Zelcs

Ignition Print
Account Executive: Jacqueline Gonzalez
Art director: Truc Le
Creative director: Jason Lindeman
Copywriter: Universal
Finisher: Universal

Indika

Art Machine

Ignition Print
Account Executive: Jay Werner
Creative director: Massey Rafani
Creative director: David Ikeda
Creative director: Jason Lindeman
Director, creative advertising: Brian Worsley
Finisher: Todd Reublin

Source: http://inewshollywood.wordpress.com/2012/10/18/2012-key-art-awards-winners-3/

faceoff kings island red hot chili peppers tour orange juice photos doomsday clock nate robinson